Upon a lonely, windswept moor, the grey wolf incubus sniffed the air and turned to his brother. "They're here, Izak.. I can smell them. A very good selection, too! Let's go." At once, Jakob and Izak began to remove the items from their heavy backpacks. A tripod, microphone and a pair of headphones, which Izak fitted snugly upon his head. Delicately, they took out two silver machines, jewel-like in their design, and milled from solid blocks of aluminium. The first, an antique Ampex VPR-5, lovingly rebuilt at the SAIA technology department only a month before, and recalibrated by Jakob himself that very morning. The second, a Nagra 4.2 loaded up and ready to roll. The Nagra was used to record the soundtrack at a higher quality than the linear soundtrack on C-format tape would allow, although it made editing a little more complex. Finally, Izak removed the ancient vidicon camera, and began connecting the equipment together. His sensitive nose wrinkled in disgust as Jakob broke the seal on a fresh reel of Jycorp 196, but Jakob breathed in the scent, and invigorated, began to lace the videotape upon the recorder. "This morning we are coming to you from the hills of Crow Valley, where, as the year begins to draw to a close, we can find among the damp leaves, some of the world's most appalling fungi. "Here on this branch, for example," Jakob continued, "is the rare, worm-eating slime mold, which is actually capable of moving around and devouring prey. "Over there, and I dare not get too close, is the fearsome death-cap mushroom, which, if consumed, kills within hours. Indeed, the toxin is so poisonous that it can cause sickness at a range of up to six feet." As he spoke, Izak zoomed the camera in upon an otherwise unremarkable-looking white toadstool. "Even worse than the death-cap is the giant Doom puffball. If disturbed, it will explode, which can result in serious injury." Jakob picked up a small pebble and threw it at one of the round, white blobs for effect. The blast knocked him flat and left a green smudge on the vidicon tube. Izak turned off the camera for about five minutes, giving the smear time to fade, and Jakob time to recover and unruffle his feathers. They would also have to remove some choice swearing back in the editing suite. With the tape rolling once again, Jakob paused to sniff the air, and promptly donned a pair of night-vision goggles. Having caught this spectacle on tape, Izak put on what appeared to be a VR helmet, simultaneously plugging it into the recorder's monitor line using his wing-tentacles. "Now this fungus," Jakob added by way of explanation, "is so deadly, that we cannot even look at it directly." As he spoke, he searched through the heather until he came across an oddly-shaped rock, which he picked up and held before him. As the camera zoomed in, it became clear that the rock was in the shape of a large brown rat. "We are looking for the Reaper mushroom, which occurs only in Crow Valley. It is so deadly that if you so much as glance at the mushroom's gills while the moon is visible in the sky, it will immediately turn you to stone, as this poor rat has discovered the hard way. You can usually locate them from the stone corpses found nearby. It is a truly remarkable, and very, very appalling fungus." So saying, Jakob strode towards a large stream. Izak kept the camera steady upon him. Removing the goggles, Jakob stared intently at the water, and then, with a flash of his wing-tentacles and a spray of water, brought out a small fish. Replacing the goggles, he returned to the spot where he had found the rat. Banishing his tentacles, lest their heads also look upon it, he cleared back the heather so that Izak could get a good picture of the deadly thing. Jakob placed the writhing fish upon the ground under the large mushroom, whereupon it immediately became grey and stopped flopping around. "Isn't that appalling? Now, if we look over here.. yes.. the grey radshroom. These are usually found very close to the Reaper mushroom." Izak handed Jakob a small Geiger-muller counter. As he held it over the fish, it began clicking furiously. "As you can see, the fish, having been transmuted into stone, is now highly radioactive. But the radshroom absorbs the radioactivity for food, like so.." With a stick, Jakob moved the fish closer to the grey mushroom. As he did so, the Geiger counter began to ease off, and the mushroom slowly began to change colour from grey to green. Taking the stone fish, Jakob snapped it in two, revealing the now-calcified internal organs. Once they had sufficient footage of the Reaper mushroom and its hideous effects, Jakob and Izak moved the camera rig bodily to the bank of the stream where Jakob had caught the fish. Checking everything was still in order, they removed their goggles and began recording once more. "Finally, we will be looking at something slightly less appalling, the Crow Valley song-algae. Here you can see the algae, on the bark of this fallen tree. Notice that it grows in distinct clumps. Now, the fascinating thing about this algae, is that if it is struck, it will emit a sound. Each clump will emit a different tone, depending on its age and species. By finding a log with a variety of different algae, it is possible to play songs on it. Izak?" Izak came back from behind the camera tripod, to be relieved by Jakob, who donned the headphones and took over recording duty. On seeing Jakob's signal, Izak strode into the centre of the stream, and suddenly exploded into a hedgehog of arms and tentacles, each clutching a small rock taken from the bottom of the stream. Izak then stood before the log, and poked each section of the algae in turn, causing it to squeak. Then, with a sly grin, he began frantically bashing at the log with all his arms and tentacles, capturing the sound of 'Greensleeves' on the microphone. This done, he handed the mic back to his brother, who stood once more before the camera to record his farewell. "Next week, we are hoping to have an interview with the legendary Crow Valley panther. From Jakob and Izak, good day." The two of them sat down, and using the spare set of headphones and a portable monitor, played back the entire tape to check it. Satisfied, the pair of them packed all their equipment into their backpacks once again, and began the long, slow journey home. (C) Joseph P Morris, 1/11/05